Pat's Labor 08: Patlabor: The Movie

Biblical allegories and autonomous Patlabor's abound in the series first feature outing.

An image from the Patlabor anime, with two figures mostly in silhouette standing in front of black screen with large red text repeating the word BABEL.
Are you telling me that making massive machines in our image might be a sign of hubris!?

Patlabor places a high value on life. In a genre that often focuses on the cool or terrible violence giant mecha can cause, it's a notable element of the first OVA. This theme is even more clear after watching Patlabor: The Movie, where this tension is at the heart of it's drama.

An image from the Patlabor anime, with two broken Patlabor's standing facing each other with an ocean sunrise in the background.
We duel at sunrise.

There's still plenty of Labor-on-Labor battle, in both comically and terrifyingly animated ways: the bigger movie budget is put to stunning use here. But it remains restrained in the ways that makes Patlabor special, with quiet, thoughtful moments and the trademark skewering of bureaucratic and corporate politics. There's even a helping of Biblical allegories to give the cinematic length and plot's central mystery more grandeur, but it's Noa's very human story that really shines.

An image from the Patlabor anime, showing Noa Izumi in her Patlabor's cockpit.
Noa the GOAT?

Suffice it to say, we liked the movie. We also tease our next bonus episode for subscribers: here's a hint, it's about a non-mecha movie that's also the closest thing any of us could think of to Patlabor's overall vibe.

Song: Heavy Armor by Kenji Kawai, from the Patlabor: The Movie OST.

Show notes:

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